Dyeing – Page 7 – Elliebelly Knit & Dye Works

The Official Elliebelly Self-Indulgent September Soxie Knitalong Post & The Winner of Soxie Yarn

Posted on August 20, 2014 by Joyce Makes Art

Wow! That title is a mouthful! Try saying it outloud twice in a row. And then, come and sign up to knit with us in September, when we knit for ourselves (that's the self-indulgent part) and end up with a pair of Soxies to keep us cozy during the cooler months.

First off, the winner of the yarn to knit Soxies with from the giveaway post earlier this week is Eileen, StormyMonday on Ravelry. Eileen, pm your address to me on Ravelry and I'll get your yarn on the way to you with plenty of time to swatch before we cast on September 1. Congrats! Take a minute to check out Eileen's projects pages on Ravelry. Among her great projects are some adorable little candle jar covers — I'm just itching to cast on and knit a few. What a great idea! We may need a follow on KAL to use up our yarn scraps, but I digress…

I hope you will come and knit with us for the KAL, whether you are a new knitter or an experienced one. Soxie is a great pattern, and as I look it over, I realize it will let us learn or refresh skills we may not use a lot like the provisional cast on, be a relatively quick knit for a feeling of accomplishment, and yet retain our interest with the cables on the toe. About those cables: if you've not cabled before, this is the perfect pattern to start with as it is a simple and well-explained cable and you will get lots of support from the experienced knitters among us. I typically cable with a cable needle, but because this is just a few small cables, I'm going to experiment with doing them without the needle. And although the pattern calls for a button decoration on the front, I can't wait to see all of the variations we come up with. So join us for the KAL, which starts September 1.

A reminder: in the Elliebelly group, you can use any yarn you would like for our KALs. Because this is a one skein pattern, a lot of people will be using some Elliebelly "deep stash." And, in addition to the skein Eileen has won, there is a bit available beginning tomorrow.

Come be self-indulgent with us!

Sometimes, We Dye Things That Around Here That Aren’t Yarn

Posted on August 15, 2014 by Joyce Makes Art

This week, I needed a quick fix of color. But I didn't have the energy for a dyeing session. So I did these pillow cases, in roughly half an hour, using some dye that had been sitting around in my studio for almost too long (anything over six weeks starts to show its age).

These pillowcases start life as a nice, undyed charmeuse silk (you can buy them here). I dyed them using a quick version of the method outlined in more detail here to get a faux tie-dye effect. I soaked the pillowcases in hot water with a bit of vinegar so the dye would strike immediately. I made a weak solution of a base color and swished the cases around for it to take. Then, after squeezing out the excess water, I scrunched them (as the linked article details) and poured the dye onto them. Instead of a more traditional steamed dye bath, I nuked them in a microwave reserved just for dyeing for two minutes, let them cool, and repeated for two and one-half minutes. The liquid ran clear after that, and I let them cool and gently laundered them. You could also do them solid or in a much more muted crackle dye, but we needed a little bit of color around here, so I went bright.

This is the perfect easy pick me up or a great idea for a quick DIY holiday present.

Roving Into Yarn

Posted on June 26, 2014 by Joyce Makes Art

If you've come here looking for the Yarn Giveaway, Click Here, to be take to that post. Leave a comment by June 30 and be entered in the drawing!

I played around with some Blue Faced Leicester roving several months ago, using leftover, random dyes. There wasn't a plan for it, just eight ounces of pretty wool that had never made it into a dye bath. When it was dry, I asked Momofana on Ravelry if her spinning services were for hire, and indeed they were.

She is such a lovely spinner! This yarn is everything that I could have hoped for and has a wonderful texture that goes from fingering to sport and should work to emphasize the colors when it is knit up. The colors are unintentionally reminiscent of the tall garden iris in my front yard and the way they have been plied makes them exceptionally luminous.

This yarn is next in my queue, although I don't have a project in mind. It would make a lovely infinity scarf or perhaps a hat and pair of mittens. I can't wait to find some time to search for the perfect project that is worthy of this yarn!

Dyeing Yarn with Natural Dyes. Part Two.

Posted on June 9, 2014 by Joyce Makes Art

This is Part Two of my tutorial on dyeing yarn with black beans. Take a look at the preceding post to see the steps involved in preparation of the dyepot and the mordanting the yarn.

We're at the stage where we are reading to dye the yarn. Remove the beans from the liquid and skim any foam that has accumulated of the top of the liquid, the pour it into your dyeing vat.

Here is our bean bath, all ready to go. You'll notice that it is pinkish — dripping some of the color onto paper towels gives you an even better idea of what you can expect from the dyepot.

Since this looked a bit on the pinkish side, and I wanted to bring out the blue-green tones in the dye, I mixed a solution of soda ash and water to use in the dyebath.

First, I gently immersed the yarn in the dyepot. If you want even color, you could gently move the liquid through the skeins for even coverage. But because I wanted some light variegation, I carefully placed the skeins in the pot and ensured they were covered, but made no effort to distribute the dye. I've got all three skeins of yarn in this one pot.

In a bit of dyeing magic, I poured the soda ash solution over the top of the pot and there was an instant color transition. That process continued as the yarn soaked over the next 12 hours.

Here we are at the end of the dye bath, ready for removal and rinsing.

I very gently rinse the yarn, and then soak it in successive baths until the liquid is completely clear. Three baths did it for this yarn, but I did a final soak in synthrapol, a dyers' soap that removes any loose dye molecules at the end of the process, before reconditioning the yarn.

Here are my three skeins, hanging for a final bit of sun after resekeining.

The skein on the left is the Malabrigo. It's a pale green, the yarn has more color than the photo. The middle skein is the Panda silk/bamboo blend and the skein on the right is the Pixie superwash wool. Dyeing is always a subjective process, influenced by a lot of external conditions like temperature, water ph, and concentration of dye. But in natural dyeing, the results seem to be even more variable and very exciting. I can't wait to knit with these skeins!

Natural dyes are notoriously migrant, meaning that the dye can fade with exposure to light and washing over time. These skeins were well mordanted, but I'm going to do a little bit of experimentation with their light and color-fast properties to see how they do. I hope you'll try some natural dyeing too. Please let me know if you try it and what your results are like. You really can't go wrong.

Dyeing Yarn with Natural Dyes. Part One.

Posted on June 8, 2014 by Joyce Makes Art

You will never guess. What natural dyestuff do you think I dyed these yarns with? It's definitely not an obvious choice, unless you've done this before, but all three of these skeins were dyed in a vat prepared from black beans.

Here they are, soaking in the kitchen. I use a pot with a strainer so I don't have to fish all of the beans out after the "juice" is ready, and since this is nothing but black beans, I have none of the usual worries about working in the kitchen.

I'll include tutorial notes on the steps I took, in case you want to dye along with me. I eye-balled the amount of water I would need to cover my skeins, and after rinsing the dust off of the beans, covered them in water, stirred them up, and left them to soak. This batch soaked for about two and one-half days.

The day before I wanted to dye my yarn, I pulled it out to mordant. The mordanting process makes it possible for the dye molecules to stick to the yarn molecules, much as in commercial wool dyeing where citric acid is used in the process. There are a number of mordants available for use with natural dyes. Here, I'm using aluminum sulfate, which, although considered safe, means we're back to using designated dye pots and a mask for mixing.

We're using skeins of three different yarn bases here, because natural dyeing produces fascinating and often unpredictable results on different fibers. On the left is a skein of Elliebelly Pixie Superwash Merino. The middle skein is Elliebelly Panda, a 50/50 silk bamboo mix. The final skein is undyed Malabrigo Mecha, which is a single-ply Merino, that is not superwash.

Here they are in the mordanting bath, with 5 tablespoons of Alum and a tablespoon of kitchen grade Cream of Tartar, which acts as a mordant/brightener. I take close to an hour to bring the submerged yarn to a temperature where the yarn is not quite simmering. Then, lid on but off the stove, the pot sits until the yarn is completely cool before going into the dyepot. This is particularly important in this case, as dyeing with black beans is a cold process, and the colors gray out if heat is applied.

Remember to use your stove fan if dyeing in the kitchen. (With thanks to my husband for the lovely magnet that graces the hood of our stove).

Tomorrow, we'll walk through the dye bath and admire the finished yarn in Part Two.

Yarn: Dyed and Overdyed

Posted on June 5, 2014 by Joyce Makes Art

As a collage artist, I spent a lot of time layering color upon color to give a piece depth and movement. I approach dyeing yarn the same way, and layering color upon color and glazing the finished skein produces some of my favorite yarn. This is a great approach for a novice dyer to use. Putting on layers of color and glazing will give you a lot of insight into how dye works on yarn.

The skein on the left is the product of several dye baths, which gave it pale undertones shining through a rich blue-puple. The skein on the right has been glazed in a deep purple, which gives it a completely different look. You would not likely guess that the two skeins started life looking the same.

In this next case, the skein on the left is dyed a sunny yellow-orange colorway. Unlike our example above where the glaze was a darker color in the same family, the skein on the right was glazed in a reddish brown. This focused on the color variation in the original skein and produced a mellowed brown skein with organic color changes.

Glazing can also be done in lighter colors, or, more sparingly in black. The secret to glazing is to work with dye that will strike immediately and stay where it is placed. Some dyers work with a dry skein to maximize this effect. I typically work with a very hot dye bath and mordanted yarn, along with a damp but not wet, skein. Whatever the method, and as with anything else to do with dyeing color and fiber there are a multitude of way to produce beautiful results, dyeing and overdyeing skeins is a great method for both beginning and more advanced dyers to use.

Baby Camel Yarn

Posted on June 4, 2014 by Joyce Makes Art

Any yarn dyer will tell you: it's an addiction. On a beautiful, sunny, Saturday morning, dyers will jump out of bed and get to work.

Even though dyeing yarn to sell at the moment, my desire to dye yarn has never disappeared. And I've had a lot of freedom to experiment with yarns, colors and processes. One of my early experiments was with some ridiculously expensive but incredibly soft and beautiful Baby Camel yarn, in an 8-ply aran weight. I loved the yarn, which I dyed up in baby sweater skein quantities for myself. It's delightful.

I've been happily knitting an Antler Sweater from this yarn, so I was excited last night, when I went to pull some summer clothes out of my cedar closet, and realized there was a box of yarn I had dyed for myself tucked behind them. (I feel horrible for my children — I have more stash than I can knit with in this life, and I know that after I die, they will be stuck having one of those horrible estate sales and trying not to laugh at the huge quantity of yarn I dyed for myself but never got around to knitting). My favorite colorway in the box is this:

The colorway is Old Brick, dyed on Baby Camel yarn. What a fantastic surprise to rediscover it, along with all of it's other "friends" in the box. Even if I never get around to knitting with all of them, it's nice just to fondly pet them and look them over. Sometimes, a dyer just has to dye. That seems to be the case for me, especially in summer, with perfect weather and lots of inspiration!