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Finished, But Not Blocked

I finished my fairisle hat from Janine Bajus’s class at The Plucky Knitter’s Glamping Retreat this afternoon.  Kudos to my youngest kid for needing to visit the pediatrician today, which gave me all the time I needed to cast off, while having a nice talk with him.

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It is not blocked yet, nor have I committed to the Alpaca pom pom from Toft, which is lightly tacked in at the moment.  But really, I’m so excited that I couldn’t wait another minute to share it with you.  I knitted this!  It’s fairisle!

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The truth is, if you’re on the fence about trying a fairisle project, it’s just not as hard as it looks.  If you want to be all fancy about it, you can visit this video from the Philosopher’s Stone and you’ll be capable of knitting fairisle with yarn in both hands before you can say “stranded knitting.”  And you do need to know to keep the strand of yarn you are not using while you knit with the other color loose — if you pull it tight in back your resulting project will be very small and you will be sad.  But once you know this is in issue, you can do some quick googling and your strands in back will be just right.

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The inside is almost as pretty as the outside.

This hat is a pretty good fit for me as is, so I’m going to give it a gently steam blocking to even out the stitches and weave in all of those ends when I get a moment.  I’ll be back with better photos later this week when it’s all done.

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Overdyeing Results: Pretty Yarn

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Yesterday's overdyeing experiment has left me with some very pretty cashmere yarn, in colors much better suited to fall knitting than what I started out with.

The turquoise blue yarn is now a soft brown-green.

Blue to Green Brown

That one might not seem as intuitive as it is.  Overdyeing blue yarns with brown always give me a pretty patina effect, so I was expecting it.  It's a good solution for yarn that is too-blue.

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I took the pink yarn one step further.  The blue-gray was pretty.  But I decided to add an additional step, and mixed a red for use on half of the skeins (using the same base red to mix my brown for the yarn above, so they would compliment each other) to overdye the gray.  Because acid dyes adhere using a molecular bond, you can't overdye indefinitely, but three baths – the original pale pink, the gray, and finally the red, is well within what works for me.  The gray and red play nicely together.

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Overdyeing is a nice solution to yarn you love that needs a change in color.  I'm undecided on whether to stripe these skeins into something soft and lovely to wear around my neck — they all coordinate nicely, or whether to turn them into hats and mittens and other small items.  But having use the over dye process to give them a bit of a color change, I know I'll be using them soon.

 

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Overdyeing Yarn

Do you ever end up with yarn in your stash that you love in a color that isn't right for you?  Years ago, and I do mean years, I purchased some Debbie Bliss Pure.  It's lovely yarn — aran weight cashmere in 25 gram/49 yard put ups.  The yarn is now discontinued, but I'd like to knit with it for winter.  I had two and one-half skeins of a blue leftover from this cowl.

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I love the color, but didn't want to knit with it again.  And, I also had 10 skeins of a pink that was a bit too bluish for what I wanted.

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This yarn is a dream to knit with – no idea why it was discontinued.  One of my favorite projects of all time, my Orchids & Fairly Lights hat from Little Owl Knits is knit from it, using some natural colored skeins.

image from images4-b.ravelrycache.com

So, I decided this afternoon that it was time to overdye these skeins and find a fall knitting purpose for them.  A couple of easy steps will guarantee a good over-dyeing result, whether you are an experienced knitter or not.  Here's my overview:

  • Make sure your skeins are clean and the fiber is "open" to absorb dye evenly.  There are two steps here.  First, remove any ties on the skein that might be tight enough to act as a resist and keep dye from evenly covering your yarn.  I removed a wrap around the skein that was tied too tightly and replaced it with a very loose figure 8 wrap that wouldn't get in the way of the dye.  Second, soak your yarn at least one hour although overnight is better; especially for something like cashmere that is slow to absorb water.  I added in a little squirt of Synthrapol, a gentle low suds soap that doesn't promote felting, but you could just as easily use a gentle dishwashing liquid.  This insures that anything that got on the yarn in the finishing process or any dust or dirt that may have found its way onto your fiber doesn't get in the way of even dye absorption.
  • Prepare your dye.  I use acid dyes.  They are easy to use and you can find directions as well as supplies at websites like www.dharmatrading.com, but there are lots of internet tutorials and people seem to have lots of success with food coloring, kool aid, and other food quality dyes.  Just remember if you use acid dyes, any pots, spoons, etc., that you use in the process can't be used for food any longer.  Also, take care to mix your dyes in a well-ventilated area while wearing a mask.
  • What's the best process to use for overdyeing?  There are lots of good choices.  First, think about color.  Your dark blue skein is never going to be pale pink.  And the color you start out with will influence the color you end up with.  Keep that in mind and work with the color you start with, and not against it.  For instance, a shocking chartreuse overdyed a deep brown will end up a woodsy brown green that you will be delighted to knit fall socks from.  Yes, the basic blue plus red equals purple does come into play, but it's a lot more about tone and subtle color movement.  Here, I used a deep brown over my turquoise.  If I had just dipped the yarn in and then remove and steamed it, I would have ended up with a pretty copper patina blue-green.  But, wanting a deep dark brown, I filled a dye pot with a quantity of the brown dye, immersed it, and steamed on the stove top for an hour to end up with a deep brown.  My pink yarn has a blue undercast.  So I settled on a medium blue-gray as my goal.  All of the blue tones will come from the yarn I started with, so I mixed a true black, diluted it, and again steamed the yarn in a pot to get dark, even color.  The options I've mentioned in the course of discussing colors are two of the easiest ways for a home dyer to overdye yarn.  You can dip the yarn into the dye you've prepared, leaving it to soak until it's the shade you want (but beware it will dry a bit lighter than it appears while immersed) and then steam it (I like to use a dedicated bamboo vegetable steamer for this) or steam it, fully immersed in dye solution, in a dye pot (stainless steel is the best and Amazon has some relatively inexpensive ones, but canning pots found for under a dollar at yard sales are great for the home dyer).  Other possibilities involve the use of a microwave, but here again, it's best to have a microwave used exclusively for dyeing, making this a less than efficient solution for the casual over-dyer.

The best part of this is that if you don't like where you end up, you can overdye the yarn again, once you understand how the color you started with and your end goal are playing together.  And, of course, if you don't want a semi-solid or solid yarn, you can take steps to maintain some of the original color for a variegated or even a speckled yarn.

That's all there is to it!  Allow your yarn to cool, carefully rinse it in room temperature water until it runs clears, and dry it.

My results?  The yarn is still gently cooling in the pot.  In summer, I hang my yarn from the branches of my bay tree until it's dry, so hopefully, I'll be able to share photos with you tomorrow.  Here is the blue yarn's progress from turquoise to brown, simmering gently in the pot.

Blue to brown

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Fairisle & Janine, The Feral Knitter

One of the (many) high points of my Glamping with Plucky experience was my class with Janine Bajus, who goes by the Ravelry name feral knitter.  Her website is here.  Janine is an amazing advocate for an evolved but still traditional type of fairisle knitting and she is a superb teacher as well as practitioner.  I first met her as I was walking out of the market.  She was nice enough to autograph my copy of her brand new book.

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Even though I wasn't sure what to expect from the class, I wanted to take it to help with my Sjølingstadkofta, which is coming along slowly but nicely.

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The class was great.  It touched on the history and nature of fairisle as well as color theory and selection.  And Janine's patterns are beautiful.  I knew this when I met a knitter wearing one of her hats before class.

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The sample knitting she brought to share with us was amazing and inspiring (and maybe a little bit intimidating, but she made it feel very much like something you could accomplish).

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She designed a hat pattern, just for us, and showed off swatches in a number of different color variations.

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I can't seem to stop working on mine.  (Ignore the nasty blue stuff on the bottom, that's provisional cast on cotton, so I can go back and do the ribbing later).

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No mention of how much I'm enjoying knitting this hat (despite having to rip back three rows for failure to change color while flying home yesterday, and then an additional row because, when you knit on a plane after a full day of flying, you're just going to make a careless mistake in reading the pattern)  would be complete without mentioning the lovely little project bag my Ravelry friend Eleanor made for me.  It's incredibly sweet with it's little Liberty fabric lining and the perfect size for a fairisle hat, with interior pockets to handle the different little balls of wool.

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I don't have enough superlatives for this class and this fairisle hat project, so I'll simply say I loved it all and am looking forward to working on the hat later this week!

 

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Glamping With Plucky

What kind of person flies cross-country to spend a long weekend with a group of people she has never met at a remote island retreat? Me!

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The entire trip was magical, from the first glimpse of Bainbridge Island, Washington, while on the ferry.  The Plucky Knitter knows how to throw a knitting retreat like no one else. 

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By mid-morning Thursday, knitters began to show up at Churchmouse Yarns in "downtown" Bainbridge, before heading out to the retreat.  There was a flurry of seeing old friends and making new ones, and perhaps a bit of shopping, although I mostly stuck to adding a few patterns to my collection and buying some new blocking boards — the puzzle piece foam mat type, that interlock.  Then we all headed on out to Islandwood, the site of our retreat and the most beautiful setting imaginable for a weekend of knitting.

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I lucked into the most wonderful group of roommates, one of whom made us these incredible project bags with our Ravelry names on them.

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One of the highlights of the weekend was the Market, with ALL the Plucky.  Being knitters, we waited patiently in line for it to open. 

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Once inside, it was an exuberant madness of yarn, samples, swag and happy knitters.

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I fell in love with Jill Zielinski's Two Track Sweater (modeled by Jill!), which I had yarn for at home in stash.  And I also fell in love with other patterns and was forced to buy yarn for them.  That would be me, on the left, with the full shopping bag.

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Vini, Vidi, Vici, which, loosely translated, means, I came, I saw, I bought Plucky.  Lots of Plucky.

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All of my purchases were carefully wrapped up by Drew from Plucky Headquarters, who kindly suggested packaging them in cellophane to get better compression, so I could fit all of the yarn in my suitcase.  Drew also played trivia on my team Friday night.  We lost, but he was lots of fun. 

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I focused on knitting a bit on my Grannie Annie and Sjølingstadkofta.

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I was so sad when Sunday morning rolled around and it was time to say good bye.  One last view of Bainbridge Island through the window of the ferry as we departed.

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Still to come: I want to share pictures with you of some of the beautiful knitted items I saw and details from Janine/FeralKnitters wonderful fairisle class.  And of course, pictures of my new yarn and what I plan on knitting with it!

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The Best Knitting Retreat

I'm on the way home from The Plucky Knitter's "Glamping with Plucky" retreat. It was great fun and I've got lots to share with you.

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On the way home I'll be working on this complicated looking, but simple to knit hat from Feralknitter on Ravelry. It was a great class!

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Postscript: Shortly after taking the picture, above, I realized I had been knitting for three rounds with the wrong background colors (so much for knitting fairisle while chitchatting on the ferry with everyone leaving the retreat).  After lots of wasted time tinking back, I've reknit to where I was before, introducing the correct change in background color.  It's rather hard to see in the photo at the moment, but this is a traditional fairisle piece, knit in only two colors per row, with the background color changing to create a three dimensional effect.

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